Here's the new music video from Fakemaker, filmed in our Dallas office by Daniel Jarvis. Fakemaker consists of three tango guys, Deedle , Matt & Tony. Joey Waldrip did the color correction and the song was mixed by Decendents drummer Bill Stevenson. Enjoy! ... See MoreSee Less
Who is more famous: Danica McKellar or Jake from State Farm, that is the question. It's a toss up. Justin Wilson is part of the ensemble of directors on the Texas-based charlieuniformtango squad. Just...
Our short documentary Chasing Hope is now streaming. This film was brought to us after Ryan Durr, creative at Team One, won the agency's "Launch An Idea" contest. The film aims to bring awareness to the life saving medicine of CBD oil and raise crucial funds for patients and their families. We're deeply honored to have been a part of this film and love seeing the success families are having. If you'd like to contribute anything to families in need, you can go to ChasingHopeFilm.com.
Directed by Justin Wilson Edited by Justin Wilson & Evan Linton Post Producer: Keith Munley Colorist: Artie Pena Audio Mixer: Jake Kluge Additional Camera: Lan Freedman ... See MoreSee Less
I did an interview w/ @screenmag and got to talk about sketchy jobs I had when I was young, as well as why I'd want to play the super villian Mojo if I had the chance. http://screenmag.com/story/2020/sep/23/12734/
#RobinsWish director Tylor Norwood on telling Susan Schneider Williams’ story: “The filmmaking process for me was about taking on the weight of this woman’s grief and the weight of trying to retell Robin Williams and his story” https://bit.ly/2Gxj6fV
We’ve won a boatload of awards including National Addys, ANDY’S and a Lion. Our work has been featured in everything from the CA Annual to the AICP National show. Super Bowls? Been there seven times for six different clients ranging from Geico to FIAT. Our long form work has been projected at festivals from NXNE to SXSW and across both ponds to Melbourne and Leeds.
Innovation? Yep, we’ve done that too. Back in the last century, we cut our teeth on the 60th avid on the planet - AVID #60, we were also the first to open the all inclusive, do it all under one roof creative editorial house featuring offline, sound design/mix, visual efx and finish. More recently, in 2004, we partnered with Company 3 to pioneer the world’s first virtual telecine. Today, we’re connected to MPC LA, NYC and London. So, in short - we’ve been around.